Work Hard. Play Hard: Female Entreprenuers in Contemporary Circus

I recently wrote a blog post for Circus Sessions that was featured on the Harbourfront Centre Blog. Due to word restrictions, I was unable to include all of these juicy details from both Jamie Holmes and Katelyn McCulloch. I thought I would post an extended version of the original post here. I hope you enjoy it!

Mere months ago, Prime Minister Justin Trudeau, announced his first cabinet. For the first time in Canadian history, it was made up of equal numbers of men and women. When asked why, he quipped, “Because it’s 2015.” Touché, however here in Canada not all things are equal. Despite holding higher levels of education, women in Canada struggle with equity in the workplace. Women are less likely to climb the corporate ladder,  twice as likely to work part-time and make, on average, 19% less than men (1).

Entrepreneurship is one way to sidestep the gender gap in the corporate world. Jamie Holmes and Katelyn McCulloch, are successful female entrepreneurs and a part this year’s Circus Sessions. Jamie is a professional performer and instructor, co-founder of La Rouge Entertainment, an events company in Toronto, and owner of Raw Super Balls, an organic snack food company. Katelyn is a professional actress, dancer and aerialist, cofounder of No Parachute Theatre and teaches movement classes under her brand, McCulloch Movement. These busy women discuss some of the rewards and challenges of being a female entrepreneur in the circus world.

Circus Sessions: How have you managed to balance the demands on yourself to have multiple jobs?

Photo: Nick Lee

Jamie: I wouldn’t trade being self-employed for anything, but it can be overwhelming. I love what I do. I love rehearsing. I love teaching and planning recitals and tropical retreats for my students.  My relationships are also extremely important to me, so I make sure that I get at least two friend visits in each week on top of training with my friends, and make sure that I have a day with my guy.  All that being said, shows, opportunities and life things arise which is when you have to revamp it all. Scheduling and rescheduling are a big part of my life.

Photo Courtesy: Facebook

Katelyn: I am constantly reevaluating my life and what I have on the go. What has helped me is every day I ask myself: what am I doing for myself, for my relationships, and for my career?  It's not about everything being perfectly in line it's just about taking the time to acknowledge the things that are important to me and setting myself up for a balanced lifestyle.

CS: When you are “selling” yourself or members of your events business as performers, how important is it to highlight your sexuality to a potential client?

J: I feel that I personally will pitch according to watch I’m going after, if I feel that it is appropriate, and if I don’t think that it will compromise anything.

K: When I am pitching I never highlight sexuality or appearance, but rather an emphasis on style. I send people to my site where there is video and photos and let them decided if I'm what they're looking for for their event. I can't control if people perceive it as sexy, good or crap. I wouldn't be offended if a request was for a sexy act. I feel comfortable with language like that around aerial work, but if it become explicit or degrading I'd have no problem leaving.

CS: Earlier in your dance career you had some uncomfortable experiences. Do you have any advice for others as to how to avoid these types of situations, or how to respond to them if they do arise?

J: I was young and naive and really eager to work so I allowed that “want” to get in the way of my values unfortunately. I would say that no job is worth sacrificing yourself. No matter how “big and fabulous” it seems in the moment, don’t compromise yourself. My advice is to walk away if things start to get sticky. Trust your gut - it always knows.   

CS: Do you think that female entrepreneurs are well represented in the circus and/or event industry, or do you think that there is still work to be done in this area?

J: I do think that women are well represented in this industry.  Ninety percent of my friends are all well-established entrepreneurs, many of the people that I have worked with and for in the circus industry have been females and I’m working with women more than 50% of the time with my corporate events.

CS: Do you have any women that you look up to because of their experience in the industry, or because they are doing exceptional or innovative things?

J: I look up to the women in this industry that are mothers and pursuing their careers while raising kids. I look up to artists that have overcome huge adversity and move forward and express themselves through art. I look up to all of my friends who offer their brilliant opinions when needed. I know a lot of absolutely amazing women, all with unique and ever-inspiring qualities.  

K: First and foremost is Heather Kentner who owns and operates Cirque-ability and is the reason I have a career as a circus artist. She inspires me every day with her ability to run a successful business while being a mom and amazing friend. Brandy Leary for always questioning and seeing the bigger picture. Angola Murdoch who is a circus mama in so many ways and always has a look out for my safety and offering advice on coaching and performing. Holly Treddenick who creates unique opportunities for emerging and professional artists to develop.

CS: Finally, what would you say to young women who might be interested in joining the contemporary circus world as an entrepreneur?

J: It’s a fantastic world filled with strong, brilliant people with fantastic ideas. There are so many different and empowering avenues to pursue. It’s hard work, but it’s immensely rewarding and worth it. Do it!

K: Be humble, ask questions and be true to you. There are so many different paths to take in circus, whether it's recreational, coaching, performing corporate work, creating your own show, fusing together aerial and something else, being an agent or co ordinator. To figure it out, take class, go to people's shows, be a part of community events, seek out mentors, take people for coffee and ask questions. It will help you discover your own artistic practice.

1. Closing the Gender Gap - Canada https://www.oecd.org/canada/Closing%20The%20Gender%20Gap%20-%20Canada%20FINAL.pdf

Moonlighting (Again) for Circus Sessions

While my day consisted of marking math tests, trying desperately to get some 12 year old children to be socially-aware citizens of the world, and asking a student if he had to poop because his tummy hurt, some of the best people I know began a week of circus-y exploration and collaboration. I'm super-duper jealous because Circus Sessions began today!

While I may not be in the mix or in the air, I have been involved in Circus Sessions in my own way. I've now written two blog posts for Circus Sessions, profiling two of the collaborators and genres of circus that will be focused on during the week. My first post, featuring artist Greg Tarlin and the art of object manipulation, was published on April 9, 2015, and be found here. My most recent post was published today and featured artist Zita Nyarady and the art of clowning. It can be found here.

When Holly Treddenick, one of the co-directors of Circus Sessions, sent out the call on facebook for writers, I jumped at the chance to write about circus. My first degree is in Journalism, but I don't often find (or seek) the opportunity to get my work published anywhere but here on my own blog. To be honest, I had hoped that I would get to write about aerial, but I'm happy that I didn't get that chance. I've learned so much more by writing about two art forms that I didn't know or understand well previously!

I'm taking a few days off from training this week to rest a tweaky neck/shoulder/arm. I need to be in tip top shape for all of the fun circus adventures that are coming up in the next couple of months! I wish all of the artists taking part in Circus Sessions a great week. I'm looking forward to seeing what you all come up with for your final collaboration performance this Friday night!

Photo Credit: Circus Session Facebook page

Cheers,
Jackie

Object Manipulation II: I Dropped the Ball!

Juggling. I can juggle responsibilities. I can juggle tasks. I can juggle a room full of kids asking me questions at the same time. What I can't do is juggle. It's hard!

On Tuesday afternoon, I had the opportunity to learn juggling from none other than Greg Tarlin. You may remember him from the blog post I wrote for Circus Sessions a while back. He's kind of a good juggler. Sort of amazing actually. And, I imagine he's a great teacher, but I am not a stellar student! Nope. No indeed.

For the past few Tuesday afternoons, I've been working with a group teaching them beginner aerial silks through the Talk to Youth Lately programme provided by Look Up Theatre's head mistress, Angola Murdoch. It's been an amazing experience on so many levels. I am so happy to working with the group and to finally be able to teach a bit of aerial. It's kinda been a dream of mine! Also, because it is a social circus group, I've been learning so much about dealing with mental illness and the struggles that the people in the group face on a daily basis. It's really very humbling to be a part of this and to learn from them as well.

This Tuesday was different though. Greg was there and Angola asked me if I'd like to learn how to juggle. Of course I said "yes!" and so it began. I was the only participant who had never ever juggled before. Some had only tried juggling a few times though, and it seemed like they had caught on, so I was confident I could too!

Don't get me wrong, Greg's instruction was clear and great and seemed to make perfect sense. We started with two balls, which aren't actually balls. They're like densely packed bean bags really. Greg's advice:

1. Hold your arms by your side and make a 90 degree angle at your elbows. Relax your shoulders (I think that's a thing, but mine can't/won't relax - Yikes!) and hold the balls in either hand.
2. Picture a square in front of you. Mark an imaginary X through the square. Easy enough!
3. Toss the balls to the opposite corner - so the ball in my left hand (which is my dominant hand for some reason when I play "sports" like golf, baseball and now juggling) is tossed to the top right corner.
4. When the first ball reaches the top of its arch, toss the second ball in to the opposite corner. Ideally, you catch both balls.

Doesn't that sound easy! It's only two balls! Honestly, I was tossing those balls all over the place. Too low, too high, too far in front, too far behind. And, I was catching very few. A third ball. Out of the question!

I thought I'd read somewhere when I was researching for my blog post that most people could learn to juggle in about an hour?! LIARS! Everyone was awesomely supportive though. As they tossed 3, 4 or 5 balls through the air, they told me how well I was progressing. Angola saw me struggling and told me it took her weeks of intense learning and practicing to learn to juggle.

The perfectionist in me was struggling. Do I give up because I'm bad? Do I push on and try to improve? What to do?!

Greg told me to push like any good coach would! Add a third ball, he said. Try the drop technique. Hey, I was already good at dropping the ball, so why not give said technique a try. All I had to do was throw the balls up in the air in the correct pattern - left, right left - and let them drop. Ideally, two will drop in front of me on my right fairly close to each other and one on the left. That's a pattern I can handle. And, I did. His advice - don't get stuck with two balls. Go back and forth and try to progress.

Stellar advice. Don't get stuck! I'm so happy that I was able to meet Greg in person after interviewing him over the internet. I'm happy I was finally able to try juggling. I will try again too. Some day, I might even be able to juggle more than a busy schedule!

Cheers,

Jackie

Moonlighting for Circus Sessions

Hey all... Just a brief repost of a blog I wrote for the Circus Sessions happening at Harbourfront Centre May 11-17, 2015. Greg, my muse, was super-cool and has mad skills. Check him out and check out my blog!

Don't Drop the Ball: Object Manipulation